What is the meaning of Pink Floyd’s Eclipse?

As Pink Floyd raced to complete their 1973 album The Dark Side of the Moon, they lacked an ending that tied together the ambitious song cycle. Following well-received live performances missing a definitive finale, Roger Waters conceived a understated yet profound closer—”Eclipse.” In just over one minute, Waters’ poetic lyrics and the band’s atmospheric music encapsulate The Dark Side of the Moon’s themes: conflict and madness, time and money. Though initially cryptic, “Eclipse” provides emotional closure and thematic coherence for the album as it peers beyond worldly concerns with the line “everything under the sun is in tune.” The sparse, dreamy track completes a masterwork that continues to fascinate listeners decades later.

The Lyrics: Duality of the Sun and Moon

The lyrics of “Eclipse” are minimal, but deeply meaningful in context. They read:

“All that you touch

All that you see

All that you taste

All that you feel

All that you love

All that you hate

All you distrust

All that you save

All that you give

All that you deal

All that you buy,

beg, borrow or steal

All you create

All you destroy

All that you do

All that you say

All that you eat

And everyone you meet (everyone you meet)

All that you slight

And everyone you fight

All that is now

All that is gone

All that’s to come

and everything under the sun is in tune

but the sun is eclipsed by the moon.”

Rather than telling a story, these lyrics give us a series of concepts tied to human existence and actions, spanning our sensations, emotions, desires and creations.

The lyrics cover the full spectrum from positive to negative – highlighting the duality in all aspects of life.

We see mirrored opposites like “love/hate”, “create/destroy”, “save/give”.

The clear pattern establishes the dichotomy between opposing forces – a central tension explored through the entirety of The Dark Side of the Moon with motifs of light and dark.

This tension culminates in the final lines, where even the sun itself meets its opposing force.

Despite all of life’s faceted triumphs and tribulations being miraculously “in tune”, the darkness eventually prevails as the moon eclipses the sun, like yin conquering yang.

Eclipse Pink Floyd meaning

When I first heard those ghostly vocals over that simple piano line fading out at the end of The Dark Side of the Moon, I knew “Eclipse” was the perfect way to wrap up this ambitious concept album exploring the human condition. It left me with a feeling of drifting off into the vast emptiness of space, putting all of the album’s themes around conflict, time, money, and madness into perspective.

On the surface, the lyrics in “Eclipse” seem obscure – something about the sun and moon and everything being “in tune.” But when you connect it to the album’s exploration of light and dark, good and evil, life and death, things start to click. The sun and moon serve as symbols for opposing forces throughout The Dark Side of the Moon’s lyrics. As the final song, “Eclipse” zooms out to a cosmic level, with the moon blocking out the light and harmony of the sun.

To me, those lyrics illustrate the constant tension between order and chaos that we all struggle with. There are forces trying to pull us towardssanity and balance, just as there are destructive urges tempting us towards madness and violence. Waters is acknowledging the darkness and negativity that often eclipses the light – whether internally or in society.

Yet he leaves it nicely open-ended – are the final lyrics depressive and bleak or hopeful and philosophical? Perhaps he is encouraging us to accept and observe this constant battle between dark and light rather than get lost in it. Or maybe he sees darkness and death eventually conquering all, no matter what we puny humans do. That cold, huge expanse of space at the end sure makes all of our worries seem small!

Eclipse (2023 Remaster)

Who wrote Eclipse by Pink Floyd?

While The Dark Side of the Moon emerged from extensive band collaboration and improvisation, the album’s haunting finale “Eclipse” was crafted primarily by bassist Roger Waters. As the band’s principal lyricist at the time, he conceived of the sparsely poetic lyrics that drift across the album’s closing minutes.

Waters also composed the initial musical framework for “Eclipse,” albeit drawing influence from previous jam sessions with David Gilmour, Rick Wright, and Nick Mason. The song’s subtle piano chords and gently strummed guitar textures grew out of the band’s experimentation. However, Waters brought these raw elements into focus, curating the specific arrangement that serves as “Eclipse”‘s solemn coda.

In addition to chief creative duties, Waters performed lead vocals on the studio recording of “Eclipse.” His hushed, almost fragile delivery complements the vulnerable themes of human struggle coming to terms with the void. Though Gilmour and Wright provide supporting background harmonies on the chorus, Waters guides the listener as the album meanders towards its quiet ending.

In later years, Gilmour assumed vocal duties when Pink Floyd performed “Eclipse” live in concert. This followed Waters’ departure from the band after 1983’s The Final Cut. However, it remains Waters’ baby – his lyrics, his melody, his vocals etching out one man’s moving philosophical perspective as Pink Floyd’s masterwork draws to its close. The impact and mystique “Eclipse” radiates comes straight from Waters’ pen.

So while Pink Floyd always operated democratically to some degree, “Eclipse” emerged from Waters working solo to craft the perfect comedown. Its stark beauty stems from his singular vision rather than a collaborative composition. The timeless closing statement belongs to Waters alone bringing his band’s opus to a close with his own two hands.

What is the Meaning of Brain Damage by Pink Floyd

“Brain Damage” occupies an emotional cornerstone within The Dark Side of the Moon’s exploration of madness, vulnerability, and the search for meaning. Haunting lyrics sung over gentle guitar explore the struggles of mental illness and human fragility.

At the forefront lies tribute to Syd Barrett, Pink Floyd’s original frontman who left the band in 1968 amidst mental health issues. When Roger Waters sings “the lunatic is on the grass,” it nods to Barrett’s erratic behavior and psychological struggles before his departure. The line “I’ll see you on the dark side of the moon” further implies Waters feeling a sense of kinship with Barrett in his instability.

Beyond specific reference to Barrett, “Brain Damage” provides commentary on society’s perception of mental illness as a whole. The use of “lunatic” reflects language often weaponized against individuals grappling with mental health challenges. Waters avoids judgment, instead evoking compassion for those facing alienation and confusion.

Like much of Pink Floyd’s work, “Brain Damage” also subsumes broader themes of human vulnerability and the search for meaning. Waters gives voice to feelings of disconnection and the agony of not being “sane” within a seemingly absurd world. The lyrics become a mantra for anyone who has felt dejected, lost, or unable to conform in an unempathetic society.

While Waters tips his hat to his old friend Barrett, he wanted “Brain Damage” to resonate wider than just tribute. He leaves the song’s meaning open to projection, where listeners apply their own pain and longing for understanding. Within its melancholic melody, we locate our shared human condition.

As The Dark Side of the Moon drifts towards eternity, “Eclipse” emerges through the darkness – a quiet statement on human vulnerability eternally seeking meaning against the uncompromising vastness of existence. Haunting and poetic, the finale’s beauty stems from Roger Waters alone, composing words and music that peer into the void of space to glimpse humanity’s cosmic insignificance turned inside out as our shared triumph. The lunar curtain closes.